I'm no theatre snob; I'll go see a play in someone's apartment, sitting on mismatched chairs and be just as engrossed as I would sitting in a permanent theatre house. It's the strength of the writing and the skills of the actors that make a play worth seeing in any venue. Well, last week I had the chance to see two plays that were at opposite ends of the theatre scale and both were equally refreshing and satisfying: WHERE'S MY MONEY and FRANKENSTEIN.
Written by Academy Award-winner,
John Patrick Shanley (MOONSTRUCK—he also wrote DOUBT), and directed by Dora Award-winner
David Perry (THE LAST DAYS OF JUDAS ISCARIOT),
Where’s My Money deconstructs marital relationships while asking the question,
“Do you believe in ghosts?” The dialogue is funny, ugly, and ironic, a feast for actors, and a delight for audiences.
You can read this play and enjoy the experience on your own, but it takes a strong cast to speak lines that with the wrong timing and delivery would be excruciating to hear. When actress (read
secretarial temp) Celeste (
Ingrid Rae Doucet) runs into old friend Natalie (
Anna Jane Hardwick) in a café, the women catch up on what’s happening in their lives. When Natalie (an accountant married to a lawyer) finds out that Celeste is cheating on her boyfriend with a married man, Natalie bluntly tells Celeste,
”I don’t know any other way to put this. You’re a whore.” Tactless? Yes. But how do you take this same brutal line when Natalie admits that she, too, was a “whore”? And what will you make of Tommy, the Ghost (
Christian Bellsmith), who is haunting Natalie; Natalie’s husband Henry (
John Clelland) who is tired of Natalie’s demand for a joint checking account; Henry’s friend and idol, Sydney (
Michael Kash) a divorce lawyer who thinks cheating is natural part of marriage, and Sydney’s wife, Marcia Marie (
Mary Francis Moore) who may not agree with Sydney’s view of their marriage.
With talented cast, interesting staging and lighting, and music (including live piano playing),
Where’s My Money is delightful way to spend 80 minutes. You may or may not leave believing in ghosts, but you will leave with some very memorable lines:
“Monogamy is like a 40-watt bulb. It works but it’s not enough.”WHERE'S MY MONEY
Until May 30th
Pia Bouman Studio Theatre
6 Noble Street (West of Dufferin, north of Queen--past the Gladstone)
Box Office: 416-504-7529
Tix: $20
adult contentWebsite:
www.alleyco-op.org
For those of you who have only seen movie versions of Frankenstein, clear your heads of what you know; for those of you who have only read
Mary Shelley's Frankenstein, clear your heads of your the way you pictured those words. The Frankenstein that is presented by Edmonton-based
Catalyst Theatre is imaginative, gothic, poetic, and musical. Yes, I said "musical". Think Charles Addams meets Edward Gorey meets Tim Burton with music by Sondheim (okay, Sondheim light). Don’t know who those people are? IT DOESN’T MATTER. GO SEE THIS PLAY.
Writer, director, composer,
Jonathon Christenson, and production designer
Bretta Gerecke have birthed an adult fairy tale that echo the opening refrain of “These are strange times, full of strange signs. Bathed in black and white, swaddled in paper costumes, with paper sets, this new conceptualization of Frankenstein is a wonder, a marvel. What a fantastic way to tell Shelley’s story of a man playing God, and the grotesque, innocently dangerous creature he brings to life. Linking the past with the present are the lines
“We cover our ears, we close our eyes” which demands that we think about modern society and the things it creates, sometimes thoughtlessly. What are the consequences of our own actions? Dolly the Sheep, anyone?
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The multi-talented cast is a cohesive delight as the Chorus that leads us through the tale, and is just as splendid in the multiple roles they adopt in the play. I especially enjoyed the performances of
Tracy Penner (
left) and
Nancy McAlear. Penner’s warbled vibrato, brings just the right note of delicacy to her main character of Lucy Lavenza, while McAlear, brings a humour and strength to her ill-fated character of Justine Moritz. Poor, poor Justine.
The second act begins with a bit too much exposition, but I have yet to see a play where the second act isn’t slightly weaker than the first. Still, this is where the pathos of the piece comes to life as we feel the desperate need of The Creature (George Szilagyi) to find what we all crave: friendship and love.
To be honest, I noticed that those who might have been expecting the movie version of Frankenstein, or a more traditional rendition of the story, did not stay for the second act. To that, I say, we can’t all like everything. Besides, the house was still very full for the second act. As we left the Bluma Apel theatre, my friends and I were wondering who would go and see this new version of an old story. Our conclusion: people who are curious about life and get excited when they see something new and refreshing different. That's you, isn't it?
FRANKENSTEIN
Until May 29th
Bluma Apel Theatre
27 Front Street East (
click here for directions)
Box Office: 416-368-3110
Tix: $20 and up
Website:
www.canadianstage.comFrankenstein photos by JACKSON HINTON
LA SAGOUINE (English Version) http://www.pleiadestheatre.org/One of the best performances I have seen--ever! If you are a refugee, live in a country that doesn't recognize your culture/language, your are poor, and politicians don't really count your vote then this is the play for you. Oh, and if you have a gandmother or an elder in your life whose stories you love(d) this play is for you, too. Viola Leger is indeed a treasure in this one woman show about a scrub woman reflecting humourously and seriously about her life as an Acadian. Berkeley Street Theatre. 8pm. Until May 29th. French Version May 31-June 5th.
DANCE IMMERSION SHOWCASE http://www.danceimmersion.ca/A variety of dance companies take to the stage to showcase their talents in this celebration of dance immersion's 16th year of supporting dances from the African Diaspora. Until May 29th. 8pm Fleck Dance Theatre (inside Harbourfront Terminal Building. 
INSIDE OUT FILM FESTIVAL http://www.insideout.ca/20/schedule/index.phpUntil May 30th. Various venues.
WHERE'S MY MONEY http://alleyco-op.org/A fun evening with friends will be had at this ascerbic, witty film about marriage, infidelity, love and ghosts. After your exposure on the patios along Queen Street West, head west of Dufferin past the Gladstone and north of Queen to 6 Noble Street and the Pia Bouman Studio Theatre. Tickets are only $20. 8PM Show. Ends May 30th.
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