Saturday, 5 May 2012

Hot Docs 2012...And the Award Goes To...


Courtesy of VKPR and Hot Docs:

HOT DOCS AWARDS TOP HONOURS TO
THE WORLD BEFORE HER AND CALL ME KUCHU

Toronto, May 4, 2012 – Hot Docs is pleased to announce the winners of the Festival's 2012 awards. The Hot Docs Awards Presentation, hosted by Jian Ghomeshi (host, Q CBC Radio One), took place on Friday, May 4, at the Windsor Arms Hotel inToronto. Ten awards and $71,000 in cash prizes were presented to Canadian and international filmmakers, including awards for Festival films in competition and those recognizing emerging and established filmmakers. The Best Canadian Feature, Best International Feature, and the Inspirit Foundation Pluralism Prize winners will have encore screenings on Sunday, May 6.

The award for Best Canadian Feature was presented to THE WORLD BEFORE HER (D: Nisha Pahuja; P: Cornelia Principe, Nisha Pahuja, Ed Barreveld), a revealing looking at the clash between modernity and tradition faced by young women in IndiaSponsored by the Documentary Organization of Canada, the award includes a $10,000 prize courtesy of Hot Docs. Jury statement: “For its brave and provocative exploration of the role of women at its two extremes in contemporary Indian society, the jury recognizes the exceptional storytelling of THE WORLD BEFORE HER. THE WORLD BEFORE HER will screen on Saturday, May 5, at 9:30 p.m. at the TIFF Bell Lightbox (350 King Street West) and on Sunday, May 6, at 11:00 a.m. and 6:30 p.m. at the Isabel Bader Theatre (93 Charles Street West).

The Special Jury Prize – Canadian Feature was presented to PEACE OUT (D: Charles Wilkinson; P: Tina Schliessler), which explores the high costs of energy development in Canada’s pristine Peace River. Sponsored by the Directors Guild of Canada and the DGC-Ontario, the award includes a $5000 prize courtesy of Hot Docs. Jury statement: “For its intelligent treatment of the environmental debate around thePeace River, an urgent Canadian issue with global implications, the jury recognizes PEACE OUT as a necessary call to arms.”

New this year, the Inspirit Foundation Pluralism Prize was awarded to a film in the Canadian Spectrum program that presents an accessible perspective (or perspectives) of one or more belief systems in such a way as to contribute to the development of mutual understanding, respect and inclusion among young people in society. Selected and presented by the Inspirit Foundation, the inaugural prize was awarded to THE BOXING GIRLS OF KABUL (D: Ariel J. Nasr; P: Annette Clark), the story of a courageous group of young Afghan women who risk persecution to become world-class boxers, training in a stadium where the Taliban once executed women. The award comes with a $10,000 prize courtesy of the Inspirit Foundation. THE BOXING GIRLS OF KABUL will screen again on Sunday, May 6, at 1:30 p.m. and at 6:15 p.m. at the Cumberland Cinemas (159 Cumberland Street).

The award for Best International Feature was presented to CALL ME KUCHU (D: Malika Zouhali-Worrall, Katherine Fairfax Wright; P: Malika Zouhali-Worrall; USA), which looks at the formidable efforts of Ugandan activist David Kato to fight his country’s Anti-Homosexuality Bill and liberate his fellow LGBT citizens. Sponsored by A&E, the award includes a $10,000 prize courtesy of Hot Docs. Jury statement: “CALL ME KUCHU explains a great injustice with life-and-death consequences and accomplishes the rare achievement of showing both the human tragedies and the triumphs of the struggle. Combining directorial intent with the prescience and persistence that enables a documentary's crew to be in an important place at an important time, we the Jury recognize CALL ME KUCHU for its wrenching yet inspiring depiction of people trying to succeed as humans and as activists in the face of hatred.” CALL ME KUCHU will screen again on Saturday, May 5, at 9:00 p.m. at the Isabel Bader Theatre (93 Charles Street West) and on Sunday, May 6, at 6:00 p.m. at the Bloor Hot Docs Cinema (506 Bloor Street West).

The Special Jury Prize – International Feature was presented to THE LAW IN THESE PARTS (D: Ra'anan Alexandrowicz; P: Liran Atzmor, B.Z. Goldberg; Israel), in which the legal minds who worked in the Occupied Territories in the Gaza Strip speak candidly about creating a framework that has had a profound global impact. Sponsored by the Ontario Media Development Corporation, the award includes a $5000 prize courtesy of Hot Docs. Jury statement: “We the Jury recognize THE LAW IN THESE PARTS for its brilliance and simplicity, turning the issues of history in Israel and the Palestinian Territories into a broader and more direct question: How precisely do civilized democracies process legally and morally complex actions in the name of survival? Viewing legislation through the lens of the people who enacted it long ago with a modern and forward-looking sense of filmmaking as art, THE LAW IN THESE PARTS reveals the fragile nature of international law in contemporary conflict.”


 The HBO Documentary Films Emerging Artist Award was shared by the directors of two films: Bill Ross and Turner Ross for TCHOUPITOULAS (P: Bill Ross, Turner Ross; USA), and Benjamin Kahlmeyer for MEANWHILE IN MAMELODI (P: Boris Frank;GermanySouth Africa). The HBO Documentary Films Emerging Artist Award is sponsored by HBO Documentary Films. Jury statement: “We the Jury recognize these films because they have an indelible sense of place while speaking to universal concerns of community. We also recognize these films as they represent a superb combination of both the constructed and the found. While each film shows us places we think we know, whether New Orleans or Pretoria, both use the tools and craft of non-fiction storytelling to give the viewer different perspectives and new insights. The Jury awards these prizes in recognition of the merits of these films, but also to note how strongly and sincerely we look forward to the future works from these filmmakers as they continue to push the medium forward.”

The award for Best Mid-Length Documentary was presented to MY THAI BRIDE (D/P: David Tucker; Australia), the story of a Welshman’s complicated marriage to an attractive younger Thai woman. Sponsored by Canada Council for the Arts, the award includes a $3000 prize courtesy of Hot Docs. Jury statement: “MY THAI BRIDE is a film that takes the story of an unlikely couple and through subtle analysis extends their human dramas into a moving examination of political, cultural and economic power dynamics. It is a film that destabilizes its viewer's empathy through a nuanced and even-handed portrayal of charged, contradictory terrain, and reframes who exactly is the conqueror and conquered.” The Shorts and Mid-Length Jury also gave an honourable mention to NESSA (D: Loghman Khaledi; P: Katayoon Shahabi; Iran).

The award for Best Short Documentary was presented to FIVE FRAGMENTS OF THE EXTINCT EMPATHY (D: Anna Nykyri; P: Joonas Berghäll; Finland), which lays bare Finland’s antipathy towards dealing with domestic violence. The award includes a $3000 prize courtesy of Hot Docs. Jury statement: “In just seven minutes this film creates a poetry of contraction between its stunning black and white imagery and grandiose music, to illustrate how cycles of violence persist and are imprinted upon the faces of Finnish women.” The Shorts and Mid-Length Jury also gave an honourable mention to FAMILY NIGHTMARE (D/P: Dustin Guy Defa; USA).

For a complete list of award recipients, please visit: www.hotdocs.ca

Wednesday, 2 May 2012

My Thoughts On...Only The Young, Buzkashi!

ONLY THE YOUNG
Twenty-something directors, Elizabeth Mims and Jason Tippet followed their teenage subjects, Garrison, Kevin and Skye for 2 years, capturing the dynamic of friend-ship (romantic and non-romantic), their concerns, and their unique expressions.  Wonderful cinematography and pacing invites you into the specific world of these Canyon Country, California teens that is relatable for young viewers and unexpectedly delightful for the adults.
Thu, May 3 5:30 PM
Bloor Hot Docs Cinema 

Sun, May 6 4:30 PM
TIFF Bell Lightbox 2



BUZKASHI!
"The horses play as much as the people," says director Najeeb Mirza, describing the melee that's part of the game of Buzkashi. IThis hectic, dangerous game evolved from dragging wolves away from sheep, but now the wolves are replaced by a goat carcass that must cross the goal post. Tajikistan champion Azam, plays the game the traditional way, as an individual, but others are introducing a new way of playing this thousand year old game. Where the individual used to be championed for his strength and depiction of honour, now champions from other districts are teaming up to change the sport together, making it very hard for one man to win.  Director, Mirza and his crew did an incredible job of capturing the speed of the game using helmet, horse and tire cams, and an equally good job of photographing the hills and villages of Tajikistan.
Sun, May 6 9:00 PM
Cumberland 2



Hot Docs
Canadian International Documentary Festival
April 26 - May 6
Tickets: www.hotdocs.ca or  416-637-5150
Box Office: 783 Bathurst Street (south of Bloor)

Wednesday, 25 April 2012

From Teenagers to Grandmothers at Hot Docs 2012

My Thoughts On...Inocente, Oma and Bella, Not a Car Wash, Wildness, Women with Cows 



INOCENTE
Fifteen year-old San Diego artist, Inocente, has an amazing talent. Her works, like the make up she dons daily, is full of vibrant colours, fanciful curves, and infectious joy. Each of her paintings has a story behind them, some of which she shares with us in this documentary. Thanks to a program called A.R.T.S (A Reason To Survive), Inocente's innate talents are being recognized, and as she continues to transfer her dreams to her canvasses, she wins the daily battle against depression and her status as an illegal resident who has never stayed in one place longer than three months.  Go see this film, not to feel sorry for Inocente, but to experience the humour in her work, and to hear her innocent yet mature response to the life. English and Spanish with English subtitles.
Sun, Apr 29 7:00 PM
TIFF Bell Lightbox 2
Mon, Apr 30 6:30 PM
TIFF Bell Lightbox 3

Fri, May 4 11:00 AM
The ROM Theatre




NOT A CAR WASH
Albania's best known director, Kujtim Çashkuhis students and arts and culture activists fight to keep Marubi Film Academy from being bulldozed by the "authorities". Exactly who these authorities are is a confusing mess in post-communist Albania. Çashku has a writ saying that the police cannot bar the students from the  property, yet the police and the Minister of Culture, Youth, Tourism and Sports claim that they have the right to not only remove the protesters, but also to tear down the outdoor screening area and film school. Ironically, a Human Rights Film Festival was planned on the very site that is being fought over. Çashku was born in Tirana, and was a boy when Kinostudio was built in 1952 and heralded by the communist state as having the best of everything that would shine the light on Albanian arts and culture. When communism fell, so did Kinostudio, and part of that land is where Çashku founded Marubi Academy to train future filmmakers and writers, to host industry visitors from the West, and where residents of Tirana (population 800, 000) would have access to a second cinema. The fight for Marubi is an argument against mediocre television in favour of artistic expression and public space versus private interests and monetary profits from land sales. Albanian with English subtitles.

Tue, May 1 6:30 PM
The ROM Theatre

Thu, May 3 1:30 PM
TIFF Bell Lightbox 3


 OMA and BELLA
They are going to think we're two "meshuggoim" (crazy women) laugh Regina and Bella as they sing old songs in a river boat in Berlin.  Regina is director Alexa Karolinski's Oma (grandmother); Bella Katz is Regina's best friend, who has moved in with Regina after her hip operation. As these Jewish grandmothers cook, bake and wield disposable razors shaving chicken legs and pigs feet, they respond to Alexa's questions. While Alexa tries to document recipes that are made by intuition rather than measurements, we learn that Bella is a picky eater ("I only eat Jewish food") who was once a wartime guerrilla fighter in Lithuania, that Regina, who can't help but feed her granddaughter ("Alexa, this orange juice is full of vitamins") took up smoking at 14 when the prostitutes in a Polish concentration camp gave her cigarettes to help her stay calm. The personal history of these two women is what takes the documentary beyond the familiar holocaust story: everyone can relate to hearing stories about their grandmothers when they were young, especially when events are revealed that were never spoken about previously.  Regina and Bella are survivors of a horrible moment in time, and while they will never forget the horror, they continually connect to their lost families and culture by preparing the foods that were once cooked in the kitchens of their childhood. The past and present dwell simultaneously in their lives and in this film, recorded by a granddaughter whose work will forward these stories into the future. German with English subtitles.
Sat, Apr 28 6:30 PM
TIFF Bell Lightbox 3

Mon, Apr 30 4:30 PM
The ROM Theatre 


WILDNESS
The Silver Platter narrates this story about its life as a bar and safe community space for MacArthur Park's Latino LGBT residents. Voiced by Miriana Marroquin (who is also a producer of the film), the Silver Platter welcomes viewers, introducing them to her history and the lost "children" who find her when they are ready. In the past, she welcomed straight acting gay men, then M to F trans women, then a mix of queer-straight alliances, four of whom began programming Wildness, a Tuesday night staple of DJ-ing and queer avant-guarde performances that attracted a younger clients. The film is directed by Wu Tsang, one of the four producers of Wildness (along with Asma, Daniel and Ashland). At first, the women were suspicious of "Martes", thinking that Tuesday nights would have no room for them, but eventually they, too, became fans of Wildness, lining up to see queer culture represented in  its infinite varieties. Gentrification looms in the future of the area, but while rents remain cheap, the Platter has birthed children that bicker, love and find safety in community while organizing fights for human rights and dignity. An okay doc, but not exactly memorable once you step out of the theatre.  English and Spanish with English subtitles.
Wed, May 2 9:45 PM
TIFF Bell Lightbox 1

Thu, May 3 7:00 PM
The ROM Theatre

Sun, May 6 9:00 PM
WOMEN WITH COWS
Seventy-something sisters Brit and Inger have different ideas about what to do with the family dairy farm: Brit wants to keep it; Inger wants to sell it. Through home movies, we see the sisters grow up parented by their father after their mother died in childbirth, and watch them work the family farm. As farm girls, they were used to the demands of the farm, but while Inger got married, moved away and had a family, Brit stayed on the farm with their father (now deceased). Widowed and happy with her grandchildren, Inger tries to persuade Brit that she is too old and infirm to handle the dangers of being around the cows on her own. While she is not in pain, Brit has a broken back and other ailments that have left her severely hunched-backed, and, as tiny as she is, she is no match for the 12 cows that she tries to care for. Inger continues to help out on the farm, grudgingly milking the cows at 4:00 am, but decisions about the farm have to be made. Women with Cows could have been a very interesting short film, about siblings and the future of family farms, but there is not enough material here for a feature. At 93 minutes this documentary is about 60 minutes too long. Swedish with English subtitles.
Sun, Apr 29 9:00 PM
TIFF Bell Lightbox 4

Wed, May 2 1:15 PM
Cumberland 2

Sat, May 5 3:45 PM
TIFF Bell Lightbox 2

Hot Docs
Canadian International Documentary Festival
April 26 - May 6
Tickets: www.hotdocs.ca or  416-637-5150
Box Office: 783 Bathurst Street (south of Bloor)

Monday, 23 April 2012

Love and Magic at Hot Docs 2012

My Thoughts On...Ballroom Dancer, Breath, Planet of Snail, The Field of Magic, The Queen of Versailles

BALLROOM DANCER.  With it's brooding, volatile male lead, and a tempestuous romance to boot, this film feels more like a fiction feature than a documentary. After being crowned a champion in Latin American Dance, 34 year old Slavik had decided to re-enter the competition ten years later to regain his title. Problem is, his former partner continues to reap success with someone else, while Slavik and his new partner (also his lover) are still learning how to move as one.  A shirtless Slavik is beautiful to watch, but it's his athleticism, his drive, and the way he approaches dance with the same fervor as his martial arts training that brings an unexpected element to this doc.  The dancer as athlete is very much a part of this film, and that should appeal to those who know how difficult it is to prepare the body and mind to be at its best on competition day.  Slavik's dedication to his sport, his demanding coaching of his new partner, Ania, give a dramatic touch to this film that is further enhanced by Magnus Jarlbo's score.  Watching this film I couldn't help wondering who will make the Hollywood bio-pic, and who would star as Slavik. Can Channing Tatum dance? Danish, Russian with English subtitles.
Mon, Apr 30 9:00 PM
Isabel Bader Theatre

Tue, May 1 3:00 PM
TIFF Bell Lightbox 1

Wed, May 2 11:00 AM
Isabel Bader Theatre

 BREATH. This doc introduces us to Francesko, Estonia's only female chimney sweep. While I admired scenes of Francesko walking on roof tops without guide wires and leap-frogging when the going got tough ("Damn it! The leg is so unstable today"), I wasn't very interested in scenes away from her job and her interactions with her clients. I wanted to know more about the differing demands of rural versus urban clientele. How did she deal with the city people who all call her in August wanting things done "yesterday" as opposed to the rural crowd who call her from Spring to Fall? The director's attempt to connect Francesko's work to the spirituality of the breath takes us away from an already interesting subject, and drags us into arenas of social boredom. Estonian with English subtitles.
Sun, Apr 29 6:45 PM
TIFF Bell Lightbox 3

Tue, May 1 1:30 PM
The ROM Theatre


 PLANET OF SNAIL. This love story explores the world of poet Young-Chan and his wife, Soon-Ho. Introduced by a mutual friend, the story of their courtship is filled with humour and passion, emotions that have continued into their marriage. The lanky, Young-Chan and his diminutive wife communicate on a level that is astounding as it is beautiful to observe. Even surrounded by friends, or performing household chores like washing dishes or changing a light bulb, there is an intimacy between these two that is rarely seen in life. Not all of us are as lucky enough to find a partner that suits us so well, as one friend admits to Young-Chan. Young-Chan's poetry abounds in the film, taking us into the world of nature and his observations about life from a deaf-blind perspective. His gentle, insightful verses, match the grace with which Soon-Ho communicates with him using finger braille, and the way in which they love one another. The film runs a bit long at 89 minutes, but that's a minor complaint when weighed against the wondrous relationship of these two people. Korean with English subtitles.
Mon, Apr 30 9:00 PM
TIFF Bell Lightbox 3

Wed, May 2 1:30 PM
The ROM Theatre

Sun, May 6 2:00 PM
TIFF Bell Lightbox 2

 THE FIELD OF MAGIC. Living off the land is given a different twist in this film about a group of people who have chosen to live near a dump. Scavenging through other people's refuse, they use the proceeds of their finds to buy food and staples for their tiny lodges, which are just large enough to house two. An outsider might be very tempted to dismiss or pity these people, but director, Mindaugas Survila's camera reveals a band of settlers who have created a community. Contrary to what the media has written about them, no one has committed suicide, and they are not living in despair. They have learned to cope with such difficulties as pulling water bottles through high snow, but they dance, have holiday parties with their neighbours, weep for estranged relatives, and talk finances just like people living in more socially acceptable places. Survila's film is a revealing, and at times, humourous portrayal of people living their lives on their own terms. Lithuanian, Russian with English subtitles.
Sat, Apr 28 6:15 PM
TIFF Bell Lightbox 4

Mon, Apr 30 1:30 PM
TIFF Bell Lightbox 3


 THE QUEEN OF VERSAILLE. It's almost obscene to go from The Field of Magic to talking about a billionaire and his wife, but that's what happens at Hot Docs, when so many different point of views are offered on screen. The filming of Jackie and David Siegel's story begins with the former beauty queen and her time-share selling husband talking about the new home they are building which is modelled after Versailles. Since they are bursting at the seams in their 26, 000 square foot home, the new house will be bigger than the White House, have 30 bathrooms, a skating rink (it's in Florida!), a grand staircase to beat all staircases and be the largest single-family dwelling in America. David Siegel is building his Versailles "because he can"; Jackie has seven children because she has nannies for them all; however, when the recession hits, and the bank stops lending money, David sinks into a depression as he tries to fund his international time share properties, and Jackie has to learn how to take care of her children with less staff. Peering into the lives of this family is a fascinating look at the rich, and we can't help but laugh ("What's the name of my driver?" Jackie asks the stunned rent-a-car representative), but at the same time, what is revealed is the state in which many Americans were living beyond their means without thought of it ever ending. The Siegels thought they would continue to get presidents elected, and everyone who worked for the Siegals expected that life to continue: Filipino nannies thought they would be able to send money back home; time share buyers thought their credit cards would always be there for vacations, and the Siegels children would surely never have to work. While not broke by many standards, the Siegels are having a hard time adjusting to the reality of the "American dream".
Wed, May 2 7:00 PM
TIFF Bell Lightbox 1

Thu, May 3 9:15 PM
Isabel Bader Theatre

Fri, May 4 8:45 PM
Bloor Hot Docs Cinema

Hot Docs
Canadian International Documentary Festival
April 26 - May 6
Tickets: www.hotdocs.ca or  416-637-5150
Box Office: 783 Bathurst Street (south of Bloor)

Saturday, 21 April 2012

Donate Today and Win!

Today is D-Day. Donation Day, that is! Donate $25 or more to The More the Merrier Arts Radio, and you will have a chance to win tickets to TIFF Hitchcock Master Classes with Guillermo del Toro (courtesy of TIFF) or a pair of tickets to the surtitled (listen in French, follow in English) performance of  "The Pain in the Ass/L'Emmerdeur" (courtesy of Theatre Francais de Toronto).  TODAY: 1-2pm. 416-946-7800/1-888-204-8976 or www.ciut.fm

Wednesday, 18 April 2012

Put Your Money Where Your Ears Are: Support The More the Merrier Arts Radio on Sat. April 21st!

CIUT 89.5 FM Spring Membership Drive is now on!  If you're able to donate $25 or more and become a member of CIUT  you would be helping me towards my show's membership goal (and maybe win some great swag); however, since The More the Merrier is a show that supports artists it's only fair that, like artists, I offer the opportunity to Donate-What-You-Can.

Pledges can be made RIGHT NOW: on line at www.ciut.fm using a credit card or Pay Pal, by calling 416-946-7800 or toll free 1-888-204-8976 or in person at the CIUT office at 7 Hart House Circle. Be sure to list The More the Merrier as your favourite show! You can also feel free to contact me at tmtmshow@gmail.com and I'll be more than happy to fill out your donation form for you! 

If this is your first time visiting this page, have a look at some of the older posts and have a listen to the latest podcast  at http://www.ciut.fm/index.php/shows-2/the-more-the-merrier-tmtm/

Cheers!
donna g, Host/Producer,
The More the Merrier Arts Radio
Saturdays, 1-2pm
CIUT 89.5 FM

Tuesday, 17 April 2012

Aravind Adiga's "The White Tiger" A Book Club Winner

The The More the Merrier's Book Club was successfully launched with Aravind Adiga's The White Tiger. Joining me for the on air discussion were bloggers, Heidy M (Hyesmusings.blogspot.com) and Khamal M (TheJuxtapositionApe.blog.com), and Marek Saulig, my former (now on call) technical operator. The social satire set in India, and dealing with the shenanigans of Balram, a murder, thinker and entrepreneur made for a lively discussion about social status, politics and nerve. As will all future TmTm Book Club selections, The White Tiger is readily available at the Toronto Public Library, your local new/used book stores, or on line. Stay tuned for our next selection...


Listen to our discussion:

Rating: Buy or Borrow? 2 buys: Khamal M, and donna g; 2 borrows: Heidy M, and Marek

May I recommend the following books for those interested in an Indian setting:


...and, of course, any of Balram aka The White Tiger's favourite poets Rumi, Iqbal, Mirza, and Ghalib. Happy reading!

BOOK LIST (clockwise from top to bottom)
Sisters of the Sari by Brenda L. Baker, Climbing the Mango Tree by Madhur Jaffrey, Tamarind Mem by Anita Rau Badami, Hullabaloo in the Guava Orchard by Kiran Desai, The Marriage Bureau for Rich People by Farahad Zama, The Case of the Missing Servant by Tarquin Hall, and India Authentic. The Book of Shiva by Deepak Chopra

1.         Photo courtesy of www.tiff.net A BUMP ALONG THE WAY (DISCOVERY) Synopsi s: With her charismatic smile and formida...