Thursday, 1 July 2010

2010 Dora Award "Recipients" aka Winners

Well, the Dora Awards are over for another year, and although only Louise Petre won for one of the nominated plays that I have covered on my show (or this blog), I wasn't disappointed to be in the audience to see the "recipients" (as host Jian Gomeshi was scripted to say) take the stage to express their gratitude. I especially liked the words of encouragement that Costume Designer (The Marriage of Figaro) Martha Mann gave to the youthful crowd: if they hang around long enough, in 40 years, they, too might win a Dora. Speeches such as Martha's and Clinton Walker (Turn of the Screw) who thanked actor, Philip Riccio for dropping out of the play so he could win the Dora, kept the very long evening from dwindling into a huge yawn. Kudos also to Jian Gomeshi for his humour and handling of the interactive audience and, ahem, for taking off his shirt.

And the Recipients ARE:

GENERAL THEATRE PRODUCTION DIVISION

Outstanding New Play
Michael Healey  Courageous

Outstanding Production
Parfumerie  Soulpepper Theatre Company

Outstanding Direction of a Play / Musical
Morris Panych  Parfumerie

Outstanding Performance by a Male in a Principal Role
Diego Matamoros  Who's Afraid of Virginia Woolf

Outstanding Performance by a Female in a Principal Role
Tara Rosling  If We Were Birds

Outstanding Performance in a Featured Role / Ensemble
Maurice Dean Wint  Courageous

Outstanding Original Set Design
Ken MacDonald  Parfumerie

Outstanding Original Costume Design
Martha Mann  The Marriage of Figaro

Outstanding Original Lighting Design
Andrea Lundy  Hamlet

Outstanding Original Sound Design/Composition
Thomas Ryder Payne  If We Were Birds

Outstanding Musical Direction
Johannes Debus  The Flying Dutchman

Outstanding Original Choreography
Jonathon Feng Han; Alyssa Xiaoli Wang; Chen Jiao; Wen Qiqi  Monkey King

Outstanding Touring Production
Lipsynch  Luminato presents Ex Machina

 

INDEPENDENT THEATRE PRODUCTION DIVISION

Outstanding New Play or New Musical
Donna-Michelle St. Bernard  Gas Girls

Outstanding Production
The Mill  Theatrefront in association with the Young Centre for the Performing Arts
      
Outstanding Direction
Vikki Anderson   The Turn of the Screw

Outstanding Performance by a Male in a Principal Role
Clinton Walker  The Turn of the Screw

Outstanding Performance by a Female in a Principal Role
Christine Horne  The Turn of the Screw

Outstanding Performance in a Featured Role / Ensemble
The Ensemble  Spent
     
Outstanding Original Set Design
Gillian Gallow  The Mill

Outstanding Original Costume Design
Dana Osborne  The Mill
      
Outstanding Original Lighting Design
Andrea Lundy  The Mill
     
Outstanding Original Sound Design/Composition
David Atkinson  The Belle of Winnipeg

DANCE DIVISION

Outstanding Original Choreography
Heidi Strauss  this time

Outstanding Production
Shoot the Moon/Wings of Wax/The Second Person  Luminato presents Nederlands Dans Theater

Outstanding Performance
Brendan Wyatt  this time

Outstanding Original Sound Design/Composition
Richard Sacks in collaboration with Red Sky musicians: Tuvshinjargal Damdinjav,
Bat-Orshikh Bazarvaani, Batmend Baasankhuu, Eddy Robinson, Theo McGregor
Tono

THEATRE FOR YOUNG AUDIENCES DIVISION

Outstanding Production
In This World  Lorraine Kimsa Theatre for Young People presents Youtheatre

Outstanding Performance
Natasha Greenblatt  Get Yourself Home Skyler James

MUSICAL THEATRE DIVISION

Outstanding New Musical / Opera
R Murray Schafer  The Children's Crusade

Outstanding Production
Assassins  BirdLand Theatre and Talk is Free Theatre

Outstanding Performance by a Male in a Principal Role
Jeff Lillico  The Light in the Piazza

Outstanding Performance by a Female in a Principal Role
Louise Pitre  The Toxic Avenger Musical

OPERA DIVISION

Outstanding Performance
Julie Makerov   The Flying Dutchman

Outstanding Production
The Nightingale and Other Short Fables
Canadian Opera Company/Festival d'Aix-en-Provence/Opéra national
de Lyon in collaboration with Ex Machina

Nomination list courtesy of: www.tapa.ca/doras/

Monday, 28 June 2010

Who Will Win the Dora Tonight?

The Dora Mavor Moore Awards are being given out tonight, and I am curious to find out who will win in the various categories: General Theatre, Independent Theatre, Dance, Opera, Theatre for Young People. I was very pleased, when the nominees were announced, to see that some of the nominees (see those below in blue) had been guests on my show. Hope you had a chance to hear those interviews. 

Have you seen any of these shows? Your favourite play not listed? Please feel free to share your feedback by leaving a comment.


2010 DORA NOMINEES ARE

GENERAL THEATRE PRODUCTION DIVISION
OUTSTANDING PRODUCTION
Parfumerie -Soulpepper Theatre Company
If We Were Birds - Tarragon Theatre in association with Groundwater Productions
Hamlet - Produced by Necessary Angel / Presented by Harbourfront Centre's World Stage
Courageous - Tarragon Theatre in co-production with Citadel Theatre
7 Stories - The Canadian Stage Company in co-production with Theatre Calgary

OUTSTANDING TOURING PRODUCTION
The Walworth Farce - Harbourfront Centre's World Stage presents Druid Theatre
Company
The Drowning Girls - Tarragon Theatre presents Bent Out of Shape Productions
Once and for all we're gonna tell you who we are so shut up - Harbourfront Centre's World Stage presents Ontroerend Goed, Kopergietery & Richard Jordan Productions Ltd
Nevermore - Luminato presents Catalyst Theatre
Lipsynch - Luminato presents Ex Machina

OUTSTANDING NEW PLAY
Michael Healey - Courageous
Judith Thompson - Such Creatures
Erin Shields - If We Were Birds
Carmen Aguirre - Refugee Hotel
Anusree - Roy Letters to my Grandma

OUTSTANDING DIRECTION OF A PLAY / MUSICAL
Richard Rose - Courageous
Morris Panych - Parfumerie
Graham McLaren - Hamlet
Alan Dilworth - If We Were Birds
Adam Brazier - Assassins

OUTSTANDING PERFORMANCE BY A MALE IN A PRINCIPAL ROLE
Pierre Simpson - Les Médecins de Molière
Paul Sun-Hyung Lee - The Monster Under the Bed
Oliver Dennis - Parfumerie
Eric Peterson - Billy Bishop Goes to War
Diego Matamoros - Who's Afraid of Virginia Woolf

OUTSTANDING PERFORMANCE BY A FEMALE IN A PRINCIPAL ROLE
Tara Rosling - If We Were Birds
Tara Nicodemo - Hamlet
Michaela Washburn - Such Creatures
Laura de Carteret - Hamlet
Anusree Roy - Letters to my Grandma

OUTSTANDING PERFORMANCE IN A FEATURED ROLE / ENSEMBLE
The Ensemble - Oh What a Lovely War
The Ensemble - Second City for Mayor
Maurice Dean Wint - Courageous
Eric Peterson - Of the Fields, Lately
Eric Peterson - Hamlet

OUTSTANDING ORIGINAL SET DESIGN
Leslie Travers - The Children's Crusade
Ken MacDonald - Parfumerie
Carl Fillion The Nightingale and Other Short Fables
Camellia Koo - Billy Bishop Goes to War
Allen Moyer - The Flying Dutchman

OUTSTANDING ORIGINAL COSTUME DESIGN
Martha Mann - The Marriage of Figaro
Mara Gottler - The Nightingale and Other Short Fables
Judith Bowden - The Guardsman
Allen Moyer - The Flying Dutchman
A-Kuan & Yi Chun - Monkey King

OUTSTANDING ORIGINAL LIGHTING DESIGN
Trevor Schwellnus - Hush
Lorenzo Savoini - Antigone
Kimberly Purtell - This is What Happens Next
Anne Militello - The Flying Dutchman
Andrea Lundy - Hamlet

OUTSTANDING ORIGINAL SOUND DESIGN/COMPOSITION
Gavin Bradley and DJ O-nonymous - Secrets of a Black Boy
Romeo Candido - The Monster Under the Bed
Ted Dykstra / John Gray - Billy Bishop Goes to War
Thomas Ryder - Payne If We Were Birds

OUTSTANDING ORIGINAL CHOREOGRAPHY
Wendy Seyb - The Toxic Avenger Musical
Tim French - Altar Boyz
Kelley Devine - Rock of Ages
Jonathon Feng Han; Alyssa Xiaoli Wang; Chen Jiao; Wen Qiqi - Monkey King
Candace Jennings - Oh What a Lovely War

OUTSTANDING MUSICAL DIRECTION
Marek Norman - Oh What a Lovely War
Johannes Debus - The Flying Dutchman
Gregory Oh - Giiwedin
David Fallis - The Marriage of Figaro
Anthony Walker - Maria Stuarda

MUSICAL THEATRE PRODUCTION DIVISION
OUTSTANDING PRODUCTION
The Toxic Avenger Musical - Dancap Productions Inc.
The Light in the Piazza - Acting Up Stage Company
Mimi - Tarragon Theatre
Assassins - BirdLand Theatre and Talk is Free Theatre
Altar Boyz - Angelwalk Theatre

OUTSTANDING NEW MUSICAL / OPERA
R Murray Schaefer - The Children's Crusade
Leslie Arden - The Princess & the Handmaiden
Chris Earle - Robin Hood, The Environmental Family Musical
Catherine Magowan & Spy Dénommé-Welch - Giiwedin
Allen Cole, Melody A Johnson, Rick Roberts - Mimi

OUTSTANDING PERFORMANCE BY A MALE
Paul McQuillan - Assassins
Jeigh Madjus - Altar Boyz
Jeff Lillico - The Light in the Piazza
Evan Smith - The Toxic Avenger Musical
Daren A Herbert - The Toxic Avenger Musical


OUTSTANDING PERFORMANCE BY A FEMALE
Trish Lindström - Assassins
Trish Lindström - Mimi
Patty Jamieson - The Light in the Piazza
Louise Pitre - The Toxic Avenger Musical
Jacquelyn French - The Light in the Piazza

OPERA DIVISION
OUTSTANDING PRODUCTION
The Nightingale and Other Short Fables - Canadian Opera Company/Festival d'Aix-en-Provence/Opéra national de Lyon in collaboration with Ex Machina
The Marriage of Figaro - Opera Atelier
The Flying Dutchman - Canadian Opera Company
The Children's Crusade - Luminato in association with Soundstreams Canada
Maria Stuarda - Canadian Opera Company

OUTSTANDING PERFORMANCE
Serena Farnocchia - Maria Stuarda
Julie Makerov - The Flying Dutchman
Evgeny Nikitin - The Flying Dutchman
Carla Huhtanen - The Marriage of Figaro
Alexandrina Pendatchanska - Maria Stuarda

INDEPENDENT THEATRE PRODUCTION DIVISION
OUTSTANDING PRODUCTION
The Turn of the Screw - DVxT Theatre
The Mill - Theatrefront in association with the Young Centre for the Performing Arts
Spent - Theatre Smith-Gilmour, Why Not Theatre and Theatre Run
Goodness - Volcano
Blind Date - Produced by Rebecca Northan, in association with Harbourfront Centre

OUTSTANDING NEW PLAY OR NEW MUSICAL
Norman Yeung - Pu-Erh
Michele Smith, Dean Gilmour,Ravi Jain and Adam Paolozza - Spent
Hannah Moscovitch - The Mill (Part Two): The Huron Bride
Donna-Michelle St. Bernard - Gas Girls
Beatriz Pizano - La Comuniòn

OUTSTANDING DIRECTION
Vikki Anderson - The Turn of the Screw
Ross Manson - Goodness
Nina Lee Aquino - The Making of St. Jerome
Keira Loughran - Pu-Erh
Christian Barry - The Mill (Part Two): The Huron Bride

OUTSTANDING PERFORMANCE BY A MALE IN A PRINCIPAL ROLE
John Ng - Pu-Erh
Jamie Robinson - Gas Girls
Gord Rand - Goodness
Clinton Walker The Turn of the Screw
Byron Abalos - The Making of St. Jerome

OUTSTANDING PERFORMANCE BY A FEMALE IN A PRINCIPAL ROLE
Tanja Jacobs - Happy Days
Rebecca Northan - Blind Date
Nawa Nicole Simon - Gas Girls
Ginette Mohr - The Belle of Winnipeg
Christine Horne - The Turn of the Screw

OUTSTANDING PERFORMANCE IN A FEATURED ROLE /ENSEMBLE
The Ensemble - Spent
The Ensemble - The Dining Room
The Ensemble - 9 Parts of Desire
Michael Kash - Where's My Money
Mary Francis Moore - The Catering Queen

OUTSTANDING ORIGINAL SET DESIGN
Trevor Schwellnus - La Comuniòn
Lindsay Anne Black - Birnam Wood
Jackie Chau - Gas Girls
Jackie Chau - The Making of St. Jerome
Gillian Gallow - The Mill

OUTSTANDING ORIGINAL COSTUME DESIGN
Nadine Grant - The Turn of the Screw
Michelle Bailey - The Red Queen Effect
Lorie Brown - The Belle of Winnipeg
Dana Osborne - The Mill
Andjelija Djuric - La Comuniòn

OUTSTANDING ORIGINAL LIGHTING DESIGN
Trevor Schwellnus - La Comuniòn
Arun Srinivasan - Pu-Erh
Andy Moro - Reconciliation
Andrea Lundy - The Mill
Andrea Lundy - Aurash

OUTSTANDING ORIGINAL SOUND DESIGN / COMPOSITION
Thomas Ryder Payne - La Comuniòn
Richard Feren - The Mill
Richard Feren - Aurash
David Atkinson - The Belle of Winnipeg
Brenna MacCrimmon / John Gzowski - Goodness

THEATRE FOR YOUNG AUDIENCES DIVISION
OUTSTANDING PRODUCTION
Twelfth Night - The Classical Theatre Project
There's a Mouse in my House - Lorraine Kimsa Theatre for Young People presents
Carousel Players
Rocket and the Queen of Dreams - Roseneath Theatre
In This World - Lorraine Kimsa Theatre for Young People presents Youtheatre
Five - Theatre Direct in Partnership with Theatre Hullaballoo

OUTSTANDING PERFORMANCE
The Ensemble - Five
The Ensemble - Twelfth Night
The Ensemble - Rocket and the Queen of Dreams
Natasha Greenblatt - Get Yourself Home Skyler James
Janick Hebert - A Midsummer Night's Dream

DANCE DIVISION
OUTSTANDING PRODUCTION
To Be Straight with You - Harbourfront Centre's World Stage
this time - Factory Theatre presents an adelheid production
Shoot the Moon/Wings of Wax/The Second Person - Luminato presents Nederlands Dans Theater
Giselle - Harbourfront Centre's World Stage
El 12 - DanceWorks

OUTSTANDING NEW CHOREOGRAPHY
Sharon Moore - Facts of Influence: Bliss
Robert Glumbek, Kevin O'day and Luches Huddleston Jr. - Full Bloom
Natasha Bakht - Dafeena
James Kudelka - Dances in a Small Room: Half an Hour of Our Time
Heidi Strauss - this time

OUTSTANDING PERFORMANCE
Tyler Gledhill PARIS 1994/GALLERY
Danielle Baskerville - PARIS 1994/GALLERY
Dan Wild - Shudder
Brendan Wyatt - this time
Andrea Nann - Tumbling Dice Uncollected Dances by Andrea Nann and Friends

OUTSTANDING ORIGINAL SOUND DESIGN/COMPOSITION
Richard Sacks in collaboration with Red Sky musicians: Tuvshinjargal Damdinjav, Bat-Orshikh Bazarvaani,Batmend Baasankhuu, Eddy Robinson, Theo McGregor - Tono
Nilan Perera - Shudder
Nicolás Hernández, José Valle - LORCA, In Search of Duende
Gilles Goyette - PARIS 1994/GALLERY
Alexander MacSween - Dafeena


Nomination list courtesy of: www.tapa.ca/doras/

Monday, 21 June 2010

Don't Just Stand There! Toronto Fringe Theatre Festival

There are 150 plays/performances in this year's Fringe Festival, and I think I got an email from all of them. With a one-hour radio show, I can only accommodate a few people, so I went through my emails and comprised a guest list from those who had contacted me way back in May. My guest list criteria also included chosing a variety of perfomances that had that indie, take-a-chance-on-me creative energy that I love about the Fringe.

Each of my guests had 5 minutes to "sell" their shows, and I must say that I think I chose well. Everybody brought their I-want-you-to-see-my-show excitement to the table, and I had a wonderful time engaging with actress Meghan Tuck ("Jill" in Fairy Tale Ending), Claire Frances Muir (co-writer, puppeteer, Kissing Swinburne), Sarah Thorpe (director, Love is a Poverty You Can Sell), Linette Doherty (director/choreographer, METRO), Ashley Botting (actress, Pick of the Fringe), Elise Newman (writer/director, Raven for a Lark), and Marko Pandza (actor/singer, The Silent City). They also had a great time meeting each other. Tanisha Tait, joined me by telephone during her break between directing The Whores and dashing off to direct Maurice Carter's Innocence (what a woman!).

As the motto for the Fringe says, "Don't Just Stand There...See Some Theatre!"

Fairy Tale Ending
Music and Lyrics by Kieren MacMillan & Jeremy Hutton
Book by Jeremy Hutton
(www.fairytaleending.ca)
presented by Roll Your Own Theatre from Toronto


Join Jill as a “line up” of characters is questioned about the sudden changes occurring in their fairy tales. A topsy-turvy yet touching tale of a young girl coming to grips with loss and the reality of growing up. With catchy songs like “I, like, totally don’t even give a care” and “You don’t know Jack”.

Director: Jeremy Hutton
Choreographer: Ashleigh Powell
Music Director: Kieren MacMillan
Genre: Musical
Audience: Family Entertainment
Warning: Adults will enjoy!
Venue: Palmerston Library Theatre

60 min.
Fri, July 2 4:45 PM
Sat, July 3 4:15 PM
Sun, July 4 2:00 PM
Mon, July 5 11:00 AM
Wed, July 7 2:30 PM
Thu, July 8 5:30 PM
Fri, July 9 11:00 AM
Sat, July10 3:45 PM



For the line up of all 7 family friendly plays click: Fringe Kids


Kissing Swinburne
by Mark Huisman and Claire Frances Muir
(www.kissingswinburne.com)
presented by Lady Trevelyan’s Circle from Toronto

Mark Huisman as Ethel and the mask was created and built by Karen Rodd. Photographer: Claire Frances Muir.

Puppets, live action, masks and multimedia transport you into the imagined, sadomasochistic world of Victorian poet Algernon Swinburne and his love-struck companion Theodore Watts. To win Swinburne’s love, Theo must compete with a lusty first cousin, the school mistress - who paddles with enthusiasm, a preacher who wants a nibble, and an array of lascivious puppets!

Director: David Talbot
Cast: Mark Huisman, Mary Krohnert, Claire Frances Muir
Genre: Multi-Media
Audience: Mature Audience
Warning: Content
Venue 22 Bread & Circus- BYOV

65 min.
Wed, June 30 6:45 PM
Fri, July 2 8:30 PM
Sat, July 3 6:45 PM
Sun, July 4 5:00 PM
Mon, July 5 8:30 PM
Tue, July 6 5:00 PM
Wed, July 7 5:00 PM
Thu, July 8 8:30 PM
Fri, July 9 6:45 PM
Sat, July 10 5:00 PM
Sun, July 11 8:30 PM


Love is a Poverty You Can Sell
Original Material written by Justin Haigh.
Featuring the Music of Kurt Weill and others.
(www.soupcantheatre.com)
presented by Soup Can Theatre from Toronto

Enter the world of a 1920s Berlin cabaret and enjoy a night of song, story, and sin. This special theatrical tribute to the music and musical legacy of legendary composer Kurt Weill features a cast of only the finest bohemian riff-raff backed by a ten piece orchestra.
“Delightful ... Hilarious” - Ontario Arts Review,
“Fantastic ... Crowd-pleasing” - Mondo Magazine,
“Wonderful” - Tapeworthy

Director: Sarah Thorpe
Genre: Musical Cabaret
Audience: Mature Audience
Warning: Hedonism, Tomfoolery, Indulgently Floral Language
Venue 22 Bread & Circus- BYOV

90 min.
Wed, June 30 10:15 PM
Thu, July 1 10:15 PM
Fri, July 2 10:15 PM
Sat, July 3 10:15 PM
Sun, July 4 2:30 PM
Mon, July 5 10:15 PM
Wed, July 7 10:15 PM
Thu, July 8 10:15 PM
Fri, July 9 10:15 PM
Sat, July 10 10:15 PM
Sun, July 11 2:30 PM


Maurice Carter's Innocence
by Donald Molnar & Alicia Payne
(www.arbezdrama.com)
presented by Arbez Drama Projects from Toronto

A gospel choir helps tell the story of the enduring friendship between Doug Tjapkes and Maurice Carter, a man who spent 29 years in prison for a crime he didn’t commit. Maurice is Black. Doug is White. While fighting for Maurice’s freedom, the two men became brothers. Based on a true story.

Genre: Play-Drama
Audience: General Audience
Warning: Gunshots
Venue 19 Trinity St. Paul United Church - Sanctuary - BYOV

90 min.
Fri, July 2 7:45 PM
Sat, July 3 7:45 PM
Sun, July 4 2:45 PM
Mon, July 5 7:45 PM
Tue, July 6 7:45 PM
Wed, July 7 7:45 PM
Thu, July 8 7:45 PM
Fri, July 9 7:45 PM
Sat, July 10 7:45 PM
Sun, July 11 2:45 PM



METRO
Created by Linette Doherty
(www.metrothedanceshow.ca)
presented by Maya and Jackson from Toronto


A hilarious look at public transportation in the big city. From breakdancing cops to bored office drones, the subway is where the city comes together; our joys, loves, fears, and frustrations become shared collective experiences. With a cast of zany characters blending hard hitting street styles and haunting contemporary works, Linette Doherty creates dance that’s accessible, technically innovative, and unique.

Director: Linette Doherty
Choreographer: Linette Doherty
Cast: Linette Doherty, Ashley Brodeur, and Gary Lucich
Genre: Dance
Audience: General Audience
Venue 4 Bathurst Street Theatre

60 min.
Fri, July 2 7:00 PM
Sun, July 4 3:30 PM
Mon, July 5 10:30 PM
Wed, July 7 1:45 PM
Thu, July 8 9:15 PM
Sat, July 10 2:15 PM
Sun, July 11 5:15 PM


Pick of the Fringe!
Created and Performed by Karen Parker, Leslie Seiler, Ashley Botting
presented by Punch In the Box Productions from Toronto

Photo: Wade Vroom

All the single ladies, all the married ladies, all the guys who love ladies, all the bearded ladies…this is The Fringe show for you. Three Second City alumnae bring you a comedy revue about men, women and whatever “Chaz” Bono is. The title may be cocky, but this show contains no cocks. It does, however, have a ton of balls.

Director: Paul Constable
Cast: Karen Parker, Leslie Seiler, Ashley Botting
Genre: Sketch
Audience: General Audience
Warning: Language, mature content
Venue 13 Factory Studio Theatre

60 min.
Fri, July 2 5:30 PM
Sat, July 3 12:15 PM
Sun, July 4 9:15 PM
Tue, July 6 6:45 PM
Wed, July 7 8:00 PM
Fri, July 9 11:15 PM
Sat, July 10 1:45 PM


Raven for a Lark
by Elise Newman
(www.wix.com/quoiquoi/quoi)
presented by quoi quoi quoi from Toronto

Photo: Elise Newman

Two actors get sucked into the twisted world of Titus Andronicus, Shakespeare’s bloodiest tragedy. Originally staged at SummerWorks, this darkly funny play was a hit at the Ottawa Fringe. “Devilishly creepy… a must-see” (Ottawa Citizen)

Cast: Adam Bradley, Shelley Liebembuk
Genre: Play-Drama
Audience: General Audience
Warning: Content
Venue 3 Royal St. George's Auditorium

45 min.
Fri, July 2 9:15 PM
Sat, July 3 4:00 PM
Sun, July 4 5:45 PM
Tue, July 6 1:00 PM
Wed, July 7 11:15 PM
Fri, July 9 9:45 PM
Sun, July 11 2:45 PM


The Silent City
by Stagehands
(www.stagehandsmusic.com)
presented by Stagehands from Toronto

Photo: Ashlea Wessel at Revolver Photography

“Bombastic Broadway Rock” raves NOW Magazine! Toronto’s own musical-theatre rock band, Stagehands, brings Fringers a high-energy, all-original rock opera performed and acted the group. Follow the tale of an artist struggling to get heard in a city where nothing is as it seems... Warning: tunes so catchy, you won’t be able to get ‘em out of your head!

Director: Evan Tsitsias
Choreographer: Stephen Low
Cast: Justine Moritz, Marko Pandza, Nemanja Protic, Geoff Stevens, David Yenovkian and Mackenzie Zufelt
Genre: Musical
Audience: General Audience
Venue 22 Bread & Circus- BYOV

60 min.
Wed, June 30 8:30 PM
Thu, July 1 6:45 PM
Fri, July 2 5:00 PM
Sat, July 3 8:30 PM
Sun, July 4 6:45 PM
Mon, July 5 6:45 PM
Wed, July 7 6:45 PM
Thu, July 8 5:00 PM
Fri, July 9 8:30 PM
Sat, July 10 6:45 PM
Sun, July 11 5:00 PM



The Whores
by Charles Crosby
(www.thewhores.ca)
presented by FishStick Productions from Toronto

Derived from interviews conducted with Halifax-area prostitutes, the play looks at the business through the eyes of five women; Carnie, Cherry, Lori, Sam and Mary; from different backgrounds with alternate outlooks and stories to share.

Director: Tanisha Taitt
Cast: Clare Blackwood, Hayley Fisher, Sarah Illiatovitch- Goldman, Jennifer Kenneally, Joanne Williams
Genre: Play-Drama
Audience: Mature Audience
Warning: Content, Language, Nudity, Gunshots
Venue 7 George Ignatieff Theatre

75 min.
Wed, June 30 10:30 PM
Sat, July 3 5:15 PM
Mon, July 5 8:00 PM
Tue, July 6 3:00 PM
Thu, July 8 Noon
Fri, July 9 8:45 PM
Sat, July 10 4:00 PM



ADVANCE TICKETS AVAILABLE STARTING JUNE 15
• Online at http://www.fringetoronto.com/
• By Phone at 416-966-1062 or 1-866-515-7799
• In person (June 30 – July 11 only) at The Randolph Centre for the Arts, 736 Bathurst Street

Advance tickets are $11 ($10+$1 convenience fee), and $5 for FringeKids (no convenience fee for kids tickets).

FRINGE PASSES ON SALE NOW
If you plan on seeing at least five shows, invest in a Fringe Pass to save money.

5 Play Pass — $40
Good for 5 “at-the-door” tickets. Maximum one ticket per play/pass. Non-transferable.

Frequent Fringer Pass — $70
Good for 10 “at-the-door” tickets. Maximum one ticket per play/pass. Non-transferable.

Buddy Pass — $90
Good for 14 “at-the-door” tickets. Maximum two tickets per play/pass. This pass can be used by two patrons.

There are no refunds for any unused portion of a pass.
ID may be requested when using a Fringe Pass.


Source Material: http://www.fringetoronto.com/

Wednesday, 16 June 2010

5-MINUTE FRINGE! on TmTm

Tune it to TmTm on Saturday, June 19th from 1-2pm to hear participants of the Toronto Fringe Theatre Festival tell you why you should go see their plays/performances!

Each guest will have 5 minutes to "sell" their show, so if you haven't planned your Fringe schedule yet or you have never been to the Fringe, this is the show for you.

The Fringe
Toronto's Theatre Festival
June 30th - July 10th (All Tickets $10)

Sunday, 30 May 2010

Shorter is Better @ Worldwide Short Film Festival (June 1 - 6)

The CFC Worldwide Short Film Festival (WWSFF) kicks off on Tuesday, June 1 and runs until June 6. The best thing about this festival? Shorter is Better. With short films, if you like something it will make you yearn for more, and if you don't like what you are seeing you only have to wait a few minutes before it's on to the next one. Lucky for you, the programmers at WWSFF do an excellent job of bringing you short films from around the world that spark the imagination, generate humour, and creep you out. There is something for everyone at this festival with the programme book divided into sections with headings and brief descriptions that will help you decide whether or not that section of films will suit your taste--Slap 'N Tickle anyone? WSFF even has an iphone app to help you organize your schedule.


AWARD WINNERS FROM AROUND THE WORLD. Tuesday, June 1st, 7PM, Bloor Cinema. Sunday, June 6th, 9:30PM. Cumberland Cinema.
TUNGIJUQ
is just one of the films screening at the Opening Night Gala. This Canadian film takes you deep into the arctic with throat singer, Tanya Tagaq, providing the unique musical accompaniment to this shape-shifting story. Another featured Canadian is Genie Award-winner, Cordel Baker (The Cat Came Back) with the riotous RUNAWAY. Short films from France (It's Sunday/C'est Dimanche), Sweden (Seeds of the Fall/Slitage), and New Zealand (The Six Dollar Fifty Man) rounds out the program.

THE GREATEST LOVE OF ALL. Wednesday, June 2, 3:15PM. Friday, June 4, 8:30PM. Cumberland Cinema. THE APOSTLES is a sacrilegious scream. Gathered together for the last supper, the 12 disciples argue about the bill after Jesus leaves the table, but don't worry, the love shines through the bickering in this Canadian film. Aspects of love are explored with sensitivity, kookiness, poignancy, grief and eroticism in this selection of films from Canada (Swiftly, 5 Hole:Tales of Hockey Erotica ), Denmark (Mirror, Megaheavy), France (Nude/Nue), New Zealand (Poppy), USA (The Poodle Trainer) and the UK (Believe).

WHO'S THE BOSS. Wednesday, June 2, 2:00PM. Saturday, June 5, 12:30PM. Cumberland Cinema. WINTER'S BEGINNING (Le DÉBUT DE L'HIVER) is a tale worth telling, and the dark truth of this French film may be disturbing to some, but abuse of power is an evil that can happen in our midst without us being conscious of its appearance. Not everything in this program is as unsettling as that short, and films such as the hilarious Dutch film, Drop Dead/Val Dood, the touchingly funny Swimming Lesson (Singapore) and Canadian entries Don't Walk Out That Door and The Orange bring levity to this section. The German, Painting Paradise, the Israeli, Bus, and the French film Jean François provide a good balance of drama. The Finnish, Over the Fence/Viiko Ennen Vappua broke through my bias of longer short films (it's 30 minutes) with its evenly-paced direction, well-written storyline, and the incredibly realness the actors bring to their roles.

DORIS. Wednesday, June 3, 4:15PM. Cumberland Cinema. ATTACHED TO YOU does in 9 minutes what usually takes years to unfold. From conception to birth, adolescent and adulthood, this stop-motion animation uses clay figures to tell the story of motherhood and the strength and endurance of the mother-child bond. Thanks to Sweden's Doris Manifesto, we are able to see the result of the manifesto's aim to increase the number of films made by women with contributions by women in key creative roles in front of and behind the camera. Included in this section are The Frog (why can't a girl be a princess and wield a sword?), Rehearsal (sexuality blooms in such strange places), Mon 3 (girls sticking together), Fish (love taken to new heights amidst brilliant cinematography), Susanne Goes Single (camping can be a dangerous thing for abusive husbands), and Shoot Me (intergenerational law-breaking). Don't be fooled; this section will appeal to both men and women.


NOT JUST FROM VENUS. Friday, June 4, 1:00PM. Saturday, June 5, 9:45PM. Cumberland Cinema. BIRTHDAY is a Swedish film about impending motherhood, retribution and love all in the span of 18 minutes--it's wickedly funny as women behave badly but honestly. Canadian entries in this section include the artful fantasy, Sometimes I Dream of Reindeer, the body-conscious, Slip, and the disturbing horror, Chloe and Attie. The Polish, Real and the UK's The Space You Leave, roots us in the present, while the Czech Republic's Homeland, bonds us to this world and beyond.


MIDNIGHT MANIA: CREEPY. Friday, June 4, 11:59PM. Cumberland Cinema. BATTENBERG sums up the feeling of this section--it's not scary but it is creepy. When an injured bird is asked to tea with a red squirrel there is murder afoot. Who wins? Who loses? You'll have to be at the Cumberland just before midnight to find out. The short film Jack about pumpkin revenge is just wrong! as is 5 Minute Dating, the twisted Chloe and Attie, and the demon sex short, Jardin Dead End--what is it with us Canadians? The UK's Off Season and The Elemental makes you want to rethink theft and stairwells respectively. Eveybody (USA) is off the wall while Mrdrchain is a fleshy, fascinating surrealist short that slice and dices.

SHORTS FOR SHORTIES: THE GREAT CHASE. Saturday, June 5, 12:00PM. AGO(Art Gallery of Ontario). THE INCREDIBLE STORY OF MY GREAT GRANDMOTHER OLIVE.You have got to see what Great Grandmother gets up to in this age-empowering short. Always the best section of the festival. You can never go wrong with short films for children, and the best are always selected by this festival's programmers, who I'm sure must enjoy every minute putting this section together. Eight other selections round out this program that at 61 minutes is perfect for shorter attention spans. Age recommendation 6+. FREE FOR CHILDREN UNDER AGE 12. Don't forget to sign up for the Workshop with Jon Izen.

DRAWING WORKSHOP: CREATE CARTOONS! with award-winning artist, JON IZEN. Saturday, June 5, 1:30PM - 3:30PM. AGO(Art Gallery of Ontario). Age recommendation 8+. Maximum participants 15. First come-First served. $10 dollar with ticket stub from SHORTS FOR SHORTIES. Izen's work, Yam Roll screens as part of the Shorties program.






LUNAFEST. Sunday, June 6, 2:15PM. Cumberland Cinema. A VIDA POLITICA. Black is beautiful, and if you don't think so then what do you know. This is the attitude of the Brazilian hair salon owner in this too short (3 minutes) film about social activism and hairdressing. Exploring girlhood (Israeli entry, A Summer Rain) to elderhood (US entry, The McCombie Way) this selection of films are all made by women, but don't let that stop you male readers from attending. You don't want to miss The Kinda Sutra where adults recount how they were told where babies came from, or Courtney Cox's film, Monday Before Thanksgiving, which stars her friend, Laura Dern. Other fabulous films include the comic Australian first date film, Plastic, the touching drama, Roz (and Joshua) and the revealing Anjali (both American entries) and the Bulgarian, Omelette. Warning: don't blink or you will miss the one-minute statement about the bicycle. A fantastic section of films.

The above films are just a sample of what WWSFF has to offer, there are hundreds of shorts on offer, and other aspects of the festival that (the symposiums for one) to check out. Buy tickets and get all the information you need on their website.



CFC Worldwide Short Film Festival
June 1 - 6

Web: www.shorterisbetter.com

Saturday, 29 May 2010

Last Chance Weekend for These Gems

Some great events are wrapping up this weekend. Here are some links to consider.
LA SAGOUINE (English Version) http://www.pleiadestheatre.org/One of the best performances I have seen--ever! If you are a refugee, live in a country that doesn't recognize your culture/language, your are poor, and politicians don't really count your vote then this is the play for you. Oh, and if you have a gandmother or an elder in your life whose stories you love(d) this play is for you, too. Viola Leger is indeed a treasure in this one woman show about a scrub woman reflecting humourously and seriously about her life as an Acadian. Berkeley Street Theatre. 8pm. Until May 29th. French Version May 31-June 5th.





DANCE IMMERSION SHOWCASE http://www.danceimmersion.ca/A variety of dance companies take to the stage to showcase their talents in this celebration of dance immersion's 16th year of supporting dances from the African Diaspora. Until May 29th. 8pm Fleck Dance Theatre (inside Harbourfront Terminal Building.











INSIDE OUT FILM FESTIVAL http://www.insideout.ca/20/schedule/index.phpUntil May 30th. Various venues.









WHERE'S MY MONEY http://alleyco-op.org/A fun evening with friends will be had at this ascerbic, witty film about marriage, infidelity, love and ghosts. After your exposure on the patios along Queen Street West, head west of Dufferin past the Gladstone and north of Queen to 6 Noble Street and the Pia Bouman Studio Theatre. Tickets are only $20. 8PM Show. Ends May 30th.

Thursday, 27 May 2010

Inside Out: Thank you for LEONERA

It's been a couple of days since I saw Lion's Den (LEONERA) at Inside Out and I still cannot get the film out of my mind. I was going to write a review of the film, but while looking on line for additional material I found this review from the film's screening at Cannes in 2008. Reading it, I felt as if I reporter James Rocchi had invaded my mind. Read on and be sure to check out some of the other stellar films that Inside Out has to offer during it's 20th year celebration.

CANNES REVIEW: Leonera (Lion's Den) by James Rocchi, May 17, 2008

Julia (Martina Guzman) wakes up, and it's clear things aren't right; there's blood on her hand, bruises on her body. She showers, dresses, goes to school, comes back home ... and realizes just how wrong things are, with a dead man on the floor of her kitchen and another badly-wounded man near death. She's arrested. Taken to prison. The charge is murder. She's alone. She's frightened. She's pregnant. She'll be kept in the special ward for pregnant prisoners or mothers who already have had their children, incarcerated along with them. Julia stands in her cell, in shock and in silence; on the wall behind her, you can see a child has drawn a house in crayon, bright red on the grey cinderblocks.

Directed by Argentina's Pablo Trapero, Lion's Den (Leonera) is an impressively yet quietly assured film, one that takes its time and makes us live along with its characters. There's a rough-hewn realism in Lion's Den, but there's also a subtle lyrical quality to it; the performances are impressive but unforced, the camerawork contemplated without being showy. Julia is helped through her early days in prison by fellow prisoner Marta (Laura Garcia), who's resigned to her imprisonment; asked how she got there, Marta shrugs: "I was poor, and I was a fool." Julia has her child -- a boy, Tomas -- and soon her mother Sophia (Ellie Medieros), who's been living abroad for the past 13 years, is back in the equation. We quickly get a sense of who Julia is; she's an ordinary girl, a little sheltered, who's made a very large and completely irrevocable mistake. We get a sense of Sofia even more quickly; with her elegantly casual clothes and a tattoo of a star on the back of her hand, Sofia's a bohemian who became a bourgeois.

And that clumsy explanation of the plot makes Lion's Den sound far more rushed, and far more obvious, than it actually is. Trapero isn't afraid of silence, or of space; the film simply unfolds, with time passing as it does in prison, empty hours becoming lost days. We're told that Julia will have possession of Tomas until he's four, and then he'll be placed with a relative or with the court. Julia and Sofia have to figure out a hard-edged problem: Prison is no place for a child to grow up; prison is where his mother is. When Julia realizes that her mother's pulling strings to gain custody of Tomas, she's heartsick, furious, broken: "My child is all I have." But is that reason enough for him to grow up in a jail?

Guzman (who is not only director Trapero's partner but was also actually pregnant during some of the shooting of Lion's Den) makes Julia come alive for us. Lion's Den could have been much more talky, much more "dramatic," much more obvious ... and that film wouldn't be nearly as good as the film we're given here. A scene of Tomas playing in the only world he knows, using prison bars as a child in the outside world would monkeybars, is quiet and sad and gentle and haunting. There's four credited writers on Lion's Den, including Trapero, but the finished film is never over-written or too carefully considered; there's something fresh and vulgar and vital to the film, and it's, for the most part, refreshingly unsentimental. (For example, it's worth noting that Julia's most successful, grown-up romantic relationship in her life ... happens in prison.) Many of the film's scenes aren't conveyed in the dialogue but in smaller physical performance moments: A touch of a hand, a tilt of the head.

Some press members at Cannes were suggesting that the film's finale felt out-of-place with the rest of the film, and suggested that producer Walter Salles (The Motorcycle Diaries) may have influenced the tone and tenor of the last few scenes. But I didn't find the final scenes incongruous or fake in light of what had gone before, and the film's ambiguous enough about what happens next to let you imagine what the next stage in Julia's life is going to be like -- and good enough throughout so that you actually do think about her future. It's hard to imagine Lion's Den getting picked up for distribution in America -- it's a little too raw and flat for any audience but the most devoted foreign film art house crowd -- but, it's early in the festival, and Gusman's performance is so strong and impressive that it guarantees people will be speaking about it as one of the standouts of this year's fest.





20 Years of Queers
Inside Out Toronto LGBT Film & Video Festival
May 20-30th

insideout.ca

Review Source: http://www.cinematical.com/2008/05/17/cannes-review-leonera-lions-den/

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